The material in Géza Seres' exhibition is a combination of 21st century and archaic tools. His themes are the enclosures that surround us, into which we build and tread the patterns that archaeologists of future ages can analyse as fossilised artefacts. The process itself is reminiscent of archaeological work: at one point in the process of making an anthracotype, the surface of the image covered with dust (bone charcoal, charcoal or lamp dust) must be cleaned of 'excess' material to produce a clear image.